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Éliphas Lévi’s 19th-century book Dogme et Rituel de la Haute Magie, Doctines and Rituals of High Magick in English (1854–1856), wrongly connected the Goat of Mendes with Satan. The goat image was originally meant to show duality (say it “doo-AL-uh-tee”; balance of opposites). In Mendes, Egyptians actually worshipped a ram, not a goat. But Lévi’s translation error in misunderstanding Banebdjedet, a ram, as a goat, would have deep consequences once in the hands of Christians.
Lévi’s illustration showed Hermetic ideas and included many symbolic details and had these intended meanings, which were badly lost on the Catholic and Protestant Christians alike:
Reconciliation of opposites: Male and female (the androgynous figure with a male body and female breasts), good and evil, spiritual and material, light and dark — all meant to show that opposites need each other and are part of God’s design.
The gesture: One hand points up, the other down — a reference to “solve et coagula” (dissolve and recombine), an alchemical motto, and also to the Hermetic saying “as above, so below,” meaning that the universe (macrocosm) and the individual (microcosm) mirror each other.
The caduceus (snakes on the abdomen): Represents balance of forces and spiritual energy (similar to kundalini).
Torch between the horns: Symbolizes illumination and divine knowledge.
These symbols together showed unity and balance and were meant to lead people to understand God’s singular nature and design. But Christian readers misunderstood, and his illustration got twisted into “Baphomet,” wrongly seen as Satan.
This misunderstanding laid the groundwork for later fears, as Christians already had old biases connecting goats with evil — an idea they took from Leviticus and Jesus’ parable of separating sheep (good) from goats (bad), which is explained in more depth shortly.
The pentacle (upright star in a circle) once taught knights about Christ’s wounds and virtues, as in Sir Gawain and the Green Knight.
Before Lévi, the upright pentagram stood for Christ’s perfection and sacrifice. The upside-down version stood for the Virgin Birth and Christ’s divinity.
But after Lévi, both symbols got wrongly labeled as Satanic, and would appear in popular culture ever after as symbols for Satanism.
To understand how Christian symbols and folk traditions got called “evil,” we need to look at how the Roman Catholic Church gained not just religious power, but also huge political and economic power in Europe.
After Rome fell, the Church stepped in to fill the power or organizing force gap or vacuum left by its end. Over time, it became a super-state kingdom above all kings and nations. As farming technology and trade changed, and after the Black Death wiped out so many workers, strong new nations (nation-states) rose with powerful monarchs.
These new states relied on the Church for legitimacy (the right to rule), and the Church relied on them to keep its social, political, and economic control.
Together, they fought to crush any group or tradition that threatened their power — including old folk religions and even old Christian symbols that later got twisted into “Satanic" signs.
The Renaissance (say it “REN-uh-sance,” French for “re-birth”) started in Italy and spread north to the Netherlands (called the Northern or Dutch Renaissance). It was a time when reading, learning, art, and philosophy came back alive after stalling during the Middle Ages. The Middle Ages, also called the Age of Faith, was when the Roman Catholic Church became a super-powerful empire above many kingdoms. The Church felt very threatened by anyone who challenged its power, and because the power of kings hinged on the Pope's favor, so did all of the kings and queens of Europe.
The Medieval Period (Middle Ages) came after Rome’s slow fall over two hundred years, ending in 476 CE (say it “C-E”; means “Common Era”) when General Odoacer (a German tribal leader and Catholic convert who worked as a paid soldier for Rome) attacked and destroyed Rome by killing the men, raping the women, selling its children into slavery, and stealing all moveable valuables (just like other conquest with 'sacking).
The first part of the Middle Ages is called the Dark Ages or Early Middle Ages. During this time, most people forgot how to read and write and barely survived by farming. Almost all food was just to live, with no extra to sell or trade, because any surplus was taken as a church tithe (say it “TY-th”; a 10% tax for the church) or paid as fees to landlords to keep the right to farm and feed their families.
Scared of warrior kings and raiding barbarian tribes, people looked for safety on church lands (called manors), monasteries (say it “MON-uh-steer-ees”; where monks lived), convents (say it “CON-vents”; where nuns lived), or on lands owned by nobles. They farmed in exchange for a “hereditary right” (say it “her-eh-DA-tare-ee”; a right passed down in the family) to use a small piece of land to farm to feed their own clans or families so they could survive.
Abbesses (say it “AB-uh-ses”; head nuns) and abbots (say it “AB-uts”; head monks) acted like lords. Nobles (people with royal titles and land) and gentry (say it “JEN-tree”; lesser landowners who served kings or fought in wars) ruled over serfs (workers tied to land). Serfs were poor farmers who could not leave without permission.
The church replaced Rome’s power in society (social life), economics (money and work), and politics (government).
This system is called manorialism (say it “muh-NOR-ee-uh-lism”) because everything happened on manors with serfs working the land for the church or nobles. The Middle Ages are called the Age of Faith because religion controlled life so strongly.
Serfs were illiterate (could not read) and depended on abbots and abbesses for all learning, religious or othewise. Farm animals were not common yet for heavy plowing, so human workers did almost everything. People had to clear forests or drain swamps to make new fields, and because land wore out fast with the three-field system, serfs were like “living farm tools” carrying kingdoms and churches on their backs.
During the early Renaissance, the Great Mortality (later called the Black Death) in the 1330s and 1340s CE/AD killed up to 3 out of 4 people in some places, and about 1 in 3 across Europe. It hit young future workers and old wise elders hardest. This made people question the church and led to the Protestant Reformation, the Catholic Counter-Reformation, inquisitions, and witch crazes. Note: It wasn't just bubonic plague, but likely a series of bacterial or viral outbreaks.
These pandemics turned serfs into peasants who could finally make deals with landlords because there were fewer workers. This let some serfs win freedom for a short time and become peasants (free farm laborers).
But soon new farm tools spread, like horseshoes, tandem harnesses, and rotating crops with legumes (say it “LAY-gooms”; peas and beans that put nutrients back in soil). This made human farm labor less necessary. This is like when McCormick’s harvester in the early 1900s replaced many African-American sharecroppers in the South and pushed them to cities (causing the Great Migration of Exodusters).
Then came the Enclosure Movement. Laws took away the shared land hereditary serfs or peasants had legal guarantees to farm to feed their families, turning peasants into landless workers who had to sell their labor to survive. Even peasants who had won freedom were forced off manors as landlords bought up lands around the hereditary titled communal lands they depended upon to eat, blocking access to their own plots. They became wage workers and had no way to feed themselves except by working for others.
Peasants ended up working in early factories called manufactories or in the “putting-out system.” In the putting-out system, families specialized in one part of making goods at home (cottages). For example:
One family raised sheep.
Another sheared wool.
Another spun yarn.
Another wove cloth (textile/fabric).
Another sewed clothes.
A merchant paid each family piece by piece and then sold finished products.
In manufactories, all steps happened under one roof, often using water or wind power. This in-between stage from feudal serfdom to wage labor is called mercantilism (an old system where nations got rich by taking colonies for cheap labor, raw materials, and forced markets, and hoarding gold and silver).
Mercantilism led European countries to build empires (imperialism) and take colonies (colonialism). This race for power and colonies led to the creation of the United States, and later to World War I because of militarism, imperialism, and tangled alliances. The mercantile system during the Age of Empire and Colonialism was like baby capitalism being born.
At the same time, wooden fenced markets called burghs popped up outside castles. Improvements in siege weapons (like catapults and trebuchets) changed towns, which used to be thatched-roof wooden houses surrounded by wooden fences. Marketplaces copied these walled village designs.
In England and Germany, “burghers” or “burgesses” set up these wooden palisaded open air markets called burghs there, while in France, the “bourgeoisie” (say it “boor-zhwah-ZEE”) made markets called bourgs, old words for secular cities where peasants lived. They got rich trading silk and other goods. This is why Karl Marx later called the capitalist class the bourgeoisie. They rose thanks to plague labor shortages and Middle Ages trade.
These markets helped move Europe from feudal (warring kingdoms with obligations owed from serfs or peasants to their lords or abotts or abbesses, and obligations for them towards their peasants, and obligations for them towards a king or queen, or greater and lesser lords, and so on) systems to early capitalism. They sparked the Age of Exploration and empire, along with manufactories and the putting-out system. Extra income from cheaper, faster production was reinvested to make more profit.
All these economic changes gave rise to free labor and strong nation-states, but also gave the church huge power.
The church tried to keep control over everyone’s lives, which is part of why Christian symbols later got turned into “Satanic” and Samhain traditions were twisted
Clovis I, the Frankish king, forced conversion by sword. A few generations later, another king gave even more power to the church. Powerful monarchies under the Pope’s church super-state formed, like Charles I’s Holy Roman Empire. This made the church very strong and led to oppression of pagan and folk religions.
After Charlemagne (say it “SHAR-luh-main”), or Charles I, tried to rebuild the Catholic Roman Empire from Aachen, Germany, the pope crowned him emperor. This act, called investiture (say it “in-VEST-ih-choor”), gave the pope power over kings and made the church a super-state above all kingdoms.
Charlemagne’s empire and papal power led to the Crusades (say it “kroo-SADES”), wars to control Jerusalem and protect pilgrims. Crusaders brought back scrolls and books, restarting learning lost during the Middle Ages. It was also to protect trade routes with China, although that is often notmentioned.
Ancient knowledge from Egypt, Sumer, Babylon, Persia, Greece, and Rome, gathered by Alexander the Great and saved in Alexandria, then bettered by Greek philosopher Aristotle at his Lyceum and other Greek scholars and mathematicians, then preserved by the Roman Empire until its fall was kept after its fall by Muslim scholars and Irish monks.
Without Charlemagne, the Holy Roman Empire, and the rise of the nation-state with powerful monarchs under the influence of the Papacy, the Crusades and the later Renaissance would not have happened. The church became super powerful and rich. And would then do anything to protect that power and wealth, including using Christian symbols to destroy its enemies and gain more power. Charges of Satanism became the church's most powerful tool to that end.
The Renaissance rediscovered ancient ideas and mystery symbols like the Goat of Mendes, which showed duality (balance of opposites). This new learning led to questioning the church, which caused the Protestant Reformation, Catholic Counter-Reformation, inquisitions, witch crazes, Scientific Revolution, and Enlightenment.
Renaissance scholars mixed old Greek, Roman, and Egyptian ideas in Renaissance Hermeticism (secret spiritual teachings from ancient Egypt and Greece from the first century Common Era differentiated as Greco-Egyptian Hermeticism by contrast). Many Christians misinterpreted these as “Satanic” because of their religious bias and strong prejudice against anything that questioned church doctrines as heresy, and anything but the Pope's interpretations as Satanism.
These misunderstandings stuck and still shape how people see Christian and pagan symbols today.
An apple sliced horizontally across its stem's axis reveals a natural pentagram, the fabled source for the universally recognized icon of the five-pointed star used in our silver and gold star stamps or stickers in elementary school and appearing on the American flag's field of blue representing each state. To Renaissance and Englihtenment scholars, this natural five-pointed start in slicing an apple was proof of God's design, sacred geometry, and Enlightenment Newtonian Deism.
Question: If the right-side-up pentacle or upside down pentagram were the Satanic symbol some Christians to this day insist they are, then why would America's founding fathers have used them to signify the original thirteen colonies and the states that have been added since?
Answer: It isn't, and they wouldn't have.
But Pomona's apple would ironically conceal at once what was first a Christian symbol that would soon be conflated with Satanism.
Slicing an apple sideways reveals a pentagram shape — Pomona’s apple hides this ancient Christian symbol. The upright pentagram had long been used to represent creation, balance, and God’s perfection in man. From Sumer and Babylon to Medieval Christendom, it stood for health, charity, virtue, and divine order, alternately as a stand in for:
Greek creation myths,
Christian goodwill,
Christian charitable good deeds,
Christian charity,
Christian mutual recognition (how one Christian could know another symbolically when traveling),
Divinely ordained (God designed) health, and then finally,
Christian virtue and God's perfection in man with the Christian pentagram's top point pointed to heaven.
Sir Gawain and the Green Knight described it as a Christian symbol: five senses, five fingers, Five Wounds of Christ, five joys of Mary, and five knightly virtues (generosity, friendship, chastity, chivalry, piety):
“...in his five senses and five fingers, faithful to the Five Wounds of Christ, takes courage from the five joys that Mary had of Jesus, and exemplifies the five virtues of knighthood,[18] which are generosity, friendship, chastity, chivalry, and piety,"
-the late Middle English 14th Century Poem, Sir Gawain and the Green Knight, illuminating the icon as a Christian symbol for Christian virtue, and God's perfection in the creation of man
In 1651 CE/AD, Heinrich Cornelius Agrippa von Nettesheim published Libri tres de occulta philosophia or The Three Books of Occult Philosophy in English that explored elemental, celestial, and intellectual magic and argued for their compatibility with the Christian religion and God's will for man.
It further popularized the right-side up pentacle as a Christian symbol.
Image of a human body in a pentagram from Heinrich Cornelius Agrippa's Libri tres de occulta philosophia. Symbols of the sun and moon are in center, while the other five classical “planets" are around the edge. From Heinrich Cornelius Agrippa's Libri tres de occulta philosophia.
But the Medieval Astrologers and Alchemists and Christian mystical use of these symbols would change by the 19th Century.
The 19th Century French occultist (a person who studies or practices secret or hidden magic, spiritual, religious, or supernatural ideas) Éliphas Lévi expanded upon Nettesheim's Three Books pentacle when he published in his 1855 Dogme et Rituel de la Haute Magie or Dogma and Ritual of High Magic.
Lévi's illustration of his tetragrammaton (listing the ineffable or unspeakable name of God) pentagram, which he described a: the figure of the microcosm, the magical formula of Man.
Eliphas Levi's Pentagram, figure of the microcosm, the magical formula of Man. Levi, Eliphas (1855) Dogme et Rituel de la Haute Magie.
Later, occultists (people practicing hidden spiritual arts) took up the pentacle as the geometrically perfect symbol representing the five neoplatonic elements (earth-air-fire-water-ether/space/spirit) of alchemists, occultists, and practioners of magick (spell work, including Christians who believed God left clues on how to influence the real world through prayer and ritual).
Its adoption by Jewish and Christian mystics, alchemists (who sought to turn common substances into gold and uncover the philosopher's stone granting immortality), and occultists or those interested in the lost or hidden mystery religions of ancient Greece and Rome, influenced its meaning. However, as a result, the Church would associate it with Satanism. Medieval Christians accepted astrology and saw stars as God’s signs, which is why horoscopes exist today.
In Victorian times, Christians attended séances (say it “SAY-on-ses”) on Saturday and church on Sunday. These mixed practices made the symbol seem sinister. Witch hunts and inquisitions outlawed such things to crush church enemies.
Many Medieval Christians also thought astrology was fine, which is why we still see horoscopes and zodiac signs today. They believe God gave signs in the movements of the planets and stars that could help them understand God's will and predict the future.
Church authorities outlawed these practices between the 1400s and 1600s, partly because of the Protestant Reformation (when many people left the Catholic Church and challenged its power), and as a way to go after political and religious enemies on the basis of their use. Accusing someone of witchcraft or magic was an easy way to attack enemies of the Pope. Many people were put on trial and burned at the stake during the three inquisitions.
Because of this, the pentacle and pentagram started to mean witchcraft or devil worship, no matter if it was pointing up or down. But originally, the pentagram was a Christian symbol, and only its inverted (upside-down) form meant Satanic ideas, but that didn't even happen until the 1800s and Levi.
Early Christians first used the ichthys (fish symbol), which meant “fishers of men,” and a simple T-shaped cross. Later, they used the Chi-Rho (a symbol made of Greek letters) under Emperor Constantine. Medieval Christians also used the pentagram or pentacle. But as these symbols became forbidden and their users burned at the stake, Christianity needed a new symbol. At last, the intersecting cross (the lowercase “t” shape) became the main symbol, especially as other symbols got connected to magic and were seen as forbidden.
Lévi’s mix-up plus Christian bias made both pentagrams seem evil. People feared and even executed others for using these symbols — perhaps 60,000 Europeans were burned as witches for using Christian symbols!
The Bible never mentions Baphomet. The word likely came from Crusaders twisting “Muhammad” into “Baphomet,” wrongly suggesting Muslims worshipped idols.
In Leviticus, goats appear as “bad” in sacrifice rules. Jesus also separated sheep (good) from goats (bad). In 1307, the Knights Templar were falsely accused of worshipping a goat-headed idol named Baphomet under torture. There is no proof anyone did.
During the Renaissance, scholars brought back balance symbols, like the yin-yang. The Ram of Mendes (mistakenly drawn as a goat) showed duality and balance in Hermeticism, but Levi's use of the tetragrammaton five pointed star and his unfortunate mistake in depicting a ram as a goat made it easy for the Church to equate both with Baphomet worship and Satanism.
Lévi’s misunderstanding plus church fear stuck. Christian star symbols, upright and inverted, became “Satanic.”
Movies like The Exorcist and Rosemary’s Baby in the 1900s turned Christian mystical symbols into “devil signs.” In America, Spiritualism rose in the 1800s as people grieved lost children and Civil War deaths. The Fox Sisters claimed “spirit raps.” Mary Todd Lincoln held séances. William Mumler took “spirit photos.” Harry Houdini exposed many fakes, but millions still found comfort.
Science later made people doubt spirits. But Christian fundamentalists called old symbols “evil” and scientists and scholars the “superstitions of backwards simple people."
Anton LaVey’s Church of Satan in the 1960s used Lévi’s goat image to mock Christians, but the joke went over their heads and back-fired badly. LaVey's usage of the Goat of Mendes as Baphomet in an inverted pentagram was commentary on unthinking Christian anti-intellectualism (resistance to thinking and reading) and refusal to learn things because they were certain they knew better. In interviews and articles, he clarified he hoped it might get people to investigate this history. It didn't. It back-fired and ironically helped fuel the Satanic Panic of the 1980s–1990s because Christians forgot these symbols were originally Christian.
Halloween turned from a healing grief ritual into a store-bought event, losing community and soul.
Halloween is a night of masks, but behind the mask is memory—of ancestors, of joy, of sorrow. By remembering the forgotten stories—of the Killycluggin Stone, of Spiritualism’s comfort, of how Halloween and the Celtic Druidic religion were misconstrued as Satanism by monastic slander, how silly fortune-telling games paid homage to ancestors and kept youth out of trouble, and mass media-induced Satanic Panic, and of the symbols and meaning we lost—we can reclaim Halloween not just as entertainment, but as sacred. Our most Hallowed Halloween tradition began as Christian charity for the poor and became twisted into Mischief Night, then conflated with Devil's Night, and became the devil's holiday thanks to Hollywood and mass media devolving from candy demands and pranks (see Trick-or-Treating👈 and Halloween Parties👈 to explore those topics in more detail). It's time we put the meaning back into and restore the correct meaning to Halloween by celebrating it the way it was meant to be (minus the animal sacrifices to Crom to bless next year's crop and animal harvest, of course).
We wish to help restore a night every year where Americans of every background can be themselves or reimagine themselves as they wish without judgment from others and share ancient joy in its parades, lanterns, bonfires, costumes, pumpkin carving, and collective imagination. Let’s rebuild Halloween’s soul together and put the meaning back into Halloween together.
At Hallowfolk, we aim to restore creativity and community each Halloween. When you join us, you become Hallowfolk too.
Together, let’s make America smarter, kinder, less afraid — and bring back Halloween’s fun, soul, and charity.
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